By Bob Garver
For better or worse, late September this year is certainly the time for animated robot movies. Fortunately, we got the “worse” out of the way last week with “Transformers One.” Now we can sit back and enjoy the “better” with “The Wild Robot.” Many people did indeed sit back and enjoy this movie, as the theater at my screening was more crowded than usual. The added cheering and laughter made the experience all the more endearing, and it was heartwarming to think of all the families bonding over their shared love of this movie.
Lupita Nyong’o stars as Roz, a robot programmed to help with tasks on a distant space colony. Something goes wrong with the delivery, and she winds up stranded on an island on Earth. Eager to help, but unable to find any humans to give her orders, she instead looks to the local animal population. She even takes the time to learn how animals communicate, to the point where she can filter their various squeaks, squawks, and other utterances into English in real time. And that’s how this becomes a talking animal movie.
Roz is eager to help, but the animals don’t necessarily want her help. Okay, they “decidedly” don’t want her help. At first, they’re all afraid of her, given that she’s gigantic, made of metal, dangerously confused, and relatively clumsy (she moves nimbly for a robot of her size, but isn’t built for the unpredictability of nature). Then they fight against her, knocking her down and stripping her of gears and features. She’s even attacked by her closest physical match, a bear named Thorn (Mark Hamill), who knocks down a cliff, causing her to crush a bird’s nest.
Roz sees that a single egg has survived, and the lifeform inside must be protected. She saves it from getting eaten by a fox named Fink (Pedro Pascal) by launching the predator into a porcupine, though she instinctively helps him remove quills afterward. The egg hatches, and the gosling, named Brightbill, doesn’t see why Roz can’t be mother material. Roz is prepared to be a helper, but not a primary caregiver. In other words, she doesn’t have any programming that makes her fit to be a mother. “No one does,” says opossum Pinktail (Catherine O’Hara), who becomes her mentor.
The rest of the movie is Roz trying to raise Brightbill (Kit Connor) as best as she can, knowing that she’ll have to teach him to swim, then fly, then leave for months on migration. The other geese tease him for coming from an unnatural family, but leader Longneck (Bill Nighy) sees that he only lives to help others, just like his adoptive mother. The migration makes for an adventure unto itself, as does Roz and the rest of the forest trying to make it through an unexpectedly harsh winter. On top of all that, Roz still recognizes an obligation to try to get to the human colony, and tracking robot Vontra (Stephanie Hsu) could arrive at any time. That the last matter probably should have been saved for a sequel is my only real gripe with the movie.
“The Wild Robot” came to theaters riding the single biggest wave of critical praise I’ve seen all year. The quantity of praise is well-deserved, as I can’t imagine anybody disliking this movie, but it might make it a tad vulnerable to expectations. I consider it “among” the best movies of the year, but I was never quite ready to hand it the top spot (still “Dune: Part Two,” by the way). Still, my heart melted at several points, whether it was from cuteness (the opossum family), sadness (the straining of the Roz/Brightbill relationship), or the sheer amount of love on display. By all means take the family to see this movie, turn it into a success, and encourage Hollywood to make more movies with this much heart.
Grade: B
“The Wild Robot” is rated PG for action/peril and thematic elements. Its running time is 101 minutes.
Contact Bob Garver at rrg251@nyu.edu.
